Hudson’s complete badassery were some truly intimate scenes that we’re not used to in Sherlock. Try to kill yourself? You get stuck in a trunk and go on a joy ride!Ĭoupled with Mrs. She’ll protect those two idiots from anyone that tries to harm them, and that includes themselves. Lord help anyone who hurts John or Sherlock, and Mycroft found himself in that unfortunate position when he invaded her home and tried to remain during a painful moment with Mary’s recording. Hudson was given little to do previously, but, man, she’s returned with a hellfire. In addition to some much needed twists and turns, we got some character moments that are both delightful and cut like a knife.
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Towards the top of that list was Mary Watson, and he has absolutely no idea how to cope with the emotions that he is flooded with. Of course he’ll always say that he’s only got one friend, but the fact of the matter is he’s got several.
Mary’s sacrifice is a currency that Sherlock doesn’t know how to spend, and he finds himself lost amidst grief. He has to save John, and he has to be at his most vulnerable to do it. Mary’s death, though infuriating in its predictability, has led to something that we rarely see in anything depicting Sir Arthur Conan Doyle’s stories: Sherlock’s humanity. Where “The Six Thatchers” failed to deliver on this front, “The Lying Detective” made up for it in spades. Not so many that it’s annoying, of course, but just enough that that you’re left craving the follow-up.
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Since Sherlock has assumed that it’s been Moriarty all this time, what’s the purpose behind him telling John that “there’s an East wind coming” in series three? Beyond that, what does “the East wind claims us all” indicate, if that’s the meaning behind his sister’s name? Why doesn’t he recognize her? Was she removed from his life too early for him to notice her as an adult? Are Sherrinford and Eurus the same person, or does Mycroft have a meeting with someone else who just so happens to share the name of the brother that the two are supposed to have? This is all great, because questions are what fans look for at the end of a Sherlock episode. Turns out Sherlock isn’t the only Holmes child who likes to play games, and that brings us to the aforementioned wild-card.Įurus’ arrival raises more questions than it answers. From the end of series three to now, we have assumed that “Miss Me” was a game Moriarty was playing with Sherlock from the grave, but it was never him at all. He measures just below Magnusson on the gross-o-meter, though some may find him worse, and proves himself to be a formidable foe thanks to some twists thrown in by a wild-card we’ll get to later.Īfter the predictability of “The Six Thatchers”, it was important that Gatiss and Moffat deliver something that keeps us on our toes throughout, and they did just that.
He’s a tiny, gross creature who’s made up of more Trump metaphors than you can shake a stick at. John and Sherlock find themselves back together again to take on Culverton Smith. On one hand, you can’t fix a problem you don’t admit, but on the other this acknowledgment is only making him angrier at himself.Īfter series four’s shoddy first offering, Sherlock returned to its former glory with an exceptional episode that managed to hit all the right notes. It makes things both better and worse that he is able to acknowledge that. He has wrapped himself up in his grief and lost himself in anger to the point where he finds himself unfit to be a parent. When we check back in with John we find him, unsurprisingly, consumed by Mary’s death. Thankfully, “The Lying Detective” gives the emotion all the agency it deserves while managing to avoid turning it into a mockery. Grief is a destructive force that often gets underestimated and is rarely well-depicted.
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